The Beatles, EMI portrait published in Billboard, 1965
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The exhibits, not the jukebox

Official uploads from The Beatles and Led Zeppelin channels. Each clip is paired with the argument it is supposed to win. Open the original on YouTube if an embed is blocked in your region.

beatles · 1968 · official video

Hey Jude

Single / Past Masters

The Beatles' longest-running British number one. The four-minute coda taught stadiums how to sing.

A pop single that behaves like a public ritual. No hard-rock band has a communal chorus this durable.

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beatles · 1969 · official video

Come Together

Abbey Road

Swamp groove, Lennon collage lyric, McCartney's elastic bass.

Proof late Beatles could be heavy without abandoning wit or space.

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beatles · 1967 · official video

A Day in the Life

Sgt. Pepper

Two songs welded by an orchestra glissando. The last piano chord is still decaying in culture.

Studio composition at a level pop had not attempted. The argument for Beatles-as-art starts here.

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beatles · 1969 · official video

Something

Abbey Road

Harrison's arrival as a peer. Frank Sinatra called it the greatest love song in 50 years.

A third writer this strong is a structural advantage Zeppelin never had.

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beatles · 1970 · official video

Let It Be

Let It Be

Hymn written as the band was ending. Still a civic song.

They could write liturgy. Rock bands rarely leave a secular hymn behind.

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beatles · 1967 · official video

Penny Lane

Magical Mystery Tour

Piccolo trumpet, memory-as-cinema, the double A-side with Strawberry Fields.

Arrangement as storytelling. Nobody in hard rock scored a high street this precisely.

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beatles · 1969 · official live

Don't Let Me Down

Single / Past Masters

Rooftop performance. The last public Beatles concert.

When they did play live at the end, the feeling was still there — raw, not museum.

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beatles · 1967 · official video

Strawberry Fields Forever

Magical Mystery Tour

Two takes in different keys and tempos spliced into one song.

The most famous proof that tape can be a compositional tool.

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zeppelin · 1971 · official audio

Stairway to Heaven

Led Zeppelin IV

Never issued as an American single in the 1970s; became radio's mountain anyway.

Form as pilgrimage: recorder, folk, and a solo that still ends guitar lessons. The album-era thesis in eight minutes.

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zeppelin · 1969 · official video

Whole Lotta Love

Led Zeppelin II

American top five. Theremin chaos in the middle of a hit.

A singles-averse band still built the riff that taught hard rock how to explode and return.

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zeppelin · 1975 · official live

Kashmir

Physical Graffiti

O2 Arena, 2007 — Celebration Day. The riff that does not need a chorus.

World-scale composition. Plant has often treated it as the song that still feels unfinished in the best way.

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zeppelin · 1970 · official audio

Immigrant Song

Led Zeppelin III

Two and a half minutes. No fat. Plant's wail as a horn section.

Compression as power. The Beatles needed the studio to invent worlds; Zeppelin could do it with a riff and a scream.

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zeppelin · 1971 · official live

Black Dog

Led Zeppelin IV

Madison Square Garden, 1973. Call-and-response that refuses a normal bar count.

Four players thinking in odd numbers at arena volume. This is the musicianship brief on film.

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zeppelin · 1971 · official live

Rock and Roll

Led Zeppelin IV

O2 2007. Bonham's son on the throne; the riff still jumps.

They could look backward to Little Richard and still sound like the future of weight.

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zeppelin · 1969 · official audio

Dazed and Confused

Led Zeppelin

Bow on guitar, long-form live mutations, the Yardbirds seed grown into a monster.

Improvisation as identity. Beatles live sets were 30 minutes; Zeppelin could spend that on one song.

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zeppelin · 1973 · official live

The Rain Song

Houses of the Holy

Answer to the 'you only play loud' charge. Orchestral guitar, Mellotron weather.

Tenderness without losing gravity. The counter-exhibit to the parody of Zeppelin.

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